Emilio Fede is a name that resonates with anyone familiar with Italian media and journalism. Known for his unmistakable presence, unwavering opinions, and a career that spans decades, Fede has become one of the most talked-about figures in Italian television. This article delves into the life of Emilio Fede, exploring his age, fame, and the significant highlights that have shaped his career.
Early Life and Beginnings
Born on June 24, 1931, in Barcellona, a small town in the province of Messina, Italy, Emilio Fede embarked on his journalistic journey at a young age. After completing his studies, he moved to Rome at the age of 22, where he began his career as a reporter for the newspaper “Il Momento – Mattino.” This marked the beginning of a long and illustrious career in journalism.
Fede’s early years were spent honing his skills as a journalist, and it wasn’t long before he made a name for himself. His first major break came when he joined “La Gazzetta del Popolo” in Turin, where he eventually became a special correspondent. This role allowed him to cover significant events, gaining valuable experience that would later define his career.
The Rise to Prominence: Rai and Beyond
In 1954, Emilio Fede’s career took a significant turn when he joined the public broadcaster Rai, Italy’s national television and radio network. By 1961, he had become a permanent journalist with Rai, marking the start of his rise to prominence. His time at Rai was marked by several key moments that would shape his public persona.
One of the most notable periods of his career came in the late 1960s when Fede was assigned as a roving correspondent in Africa. Over the course of eight years, he reported on events in 44 different countries across the continent. This experience not only broadened his journalistic horizons but also exposed him to the harsh realities of war, disease, and political upheaval. During this time, Fede contracted a severe illness, suspected to be either cholera or malaria, which he first experienced during an interview with Mohamed Siad Barre, the then-President of Somalia.
After his African assignment, Fede returned to Italy, where he took on a more prominent role within Rai. From 1976 to 1981, he was the anchor of Rai’s flagship news program, TG1, and from 1981 to 1983, he served as the program’s interim director. During his tenure, he gained a reputation for his direct and sometimes controversial reporting style.
Controversy and the “Bistecca agli Estrogeni” Scandal
Fede’s career has not been without controversy. One of the most significant scandals he was involved in was the “bistecca agli estrogeni” investigation. In this investigation, Fede exposed the use of estrogen-laced drugs by farmers to artificially enhance the growth of livestock. The resulting meat posed serious health risks, including an increased likelihood of cancer and sexual impotence in consumers.
The investigation caused a public outcry and brought Fede both praise and criticism. On one hand, he was lauded for his bravery in exposing such a critical issue; on the other hand, he faced accusations of sensationalism and fear-mongering. This controversy is just one example of the many challenges Fede faced throughout his career, yet it also highlights his commitment to journalistic integrity.
The Vermicino Tragedy
Another defining moment in Fede’s career was his coverage of the Vermicino tragedy in 1981. A young boy named Alfredino Rampi fell into an abandoned well in Vermicino, a small town near Rome. The rescue operation, which was broadcast live on national television, captivated the entire country. As the director of TG1 at the time, Fede made the controversial decision to air the rescue attempt in its entirety, a move that some praised for its transparency, while others criticized for its perceived exploitation of a tragic event.
The incident had a profound impact on Fede, who later reflected on the ethical dilemmas it posed. The live coverage of Alfredino’s death marked a turning point in Italian television, raising important questions about the role of the media in covering human tragedy.
Transition to Private Television: Rete A and Fininvest
In 1987, Fede left Rai after a series of personal and professional challenges, including a legal conviction for gambling. He then moved to Rete A, where he took on the role of news director. This was a significant shift for Fede, as he transitioned from public to private broadcasting, bringing with him his distinctive style and approach to journalism.
In 1989, Fede joined Fininvest, the media company owned by Silvio Berlusconi. This move marked the beginning of a long and close association with Berlusconi, who would later become one of Italy’s most influential and controversial political figures. Fede’s friendship with Berlusconi would prove to be both an asset and a liability throughout his career.
At Fininvest, Fede was instrumental in the creation of “Studio Aperto,” the news program on Italia Uno, one of Fininvest’s television channels. His work at Fininvest solidified his status as one of Italy’s most prominent television journalists.
TG4 and the Gulf War
In 1992, Emilio Fede took on one of the most significant roles of his career as the director of TG4, the news program on Rete 4, another Fininvest channel. It was during this period that Fede made history as the first journalist to announce the start of the Gulf War, reporting live on the American attack on Baghdad. His coverage of the war was a defining moment in his career, showcasing his ability to handle breaking news with confidence and authority.
The Writer: Emilio Fede’s Literary Pursuits
In addition to his television career, Emilio Fede has also made a name for himself as an author. His first book, “Finché c’è Fede,” was published in 1997, followed by several more titles, including “Privè. La vita è un gioco” (1998), “L’invidiato speciale” (1999), “La foglia di fico” (2000), “Samba dei ruffiani” (2001), and “La cena dei cretini” (2002).
Fede’s books offer a glimpse into his experiences as a journalist, his reflections on life, and his thoughts on the world of politics and entertainment. His writing style is characterized by simplicity and clarity, making his works accessible to a broad audience.
Pop Culture and Public Perception
Emilio Fede’s influence extends beyond journalism and literature; he has also become a figure of pop culture in Italy. His surprise appearance as Santa Claus on the first edition of “Grande Fratello” (the Italian version of “Big Brother”) in 2000, where he distributed gifts to the final four contestants, is one of the many moments that endeared him to the public.
Fede also made headlines in 2005 when he stepped in as a guest host on “Striscia la Notizia,” a popular satirical news program, replacing the ailing Enzo Iacchetti. These appearances, while light-hearted, further cemented his status as a household name in Italy.
Scandals and Legal Issues
Despite his successes, Emilio Fede’s career has not been without its share of scandals. In 2012, reports emerged that Fede had attempted to deposit €2.5 million in a Swiss bank, a transaction that was reportedly rejected due to concerns about the money’s provenance. This led to investigations by the Italian tax authorities and financial police.
Later that year, Fede’s long association with Mediaset, the media company owned by Berlusconi, came to an end. After a failed negotiation with Mediaset, Fede left his position as the director of TG4, marking the end of an era. He was succeeded by Giovanni Toti, a move that symbolized a significant shift in the Italian media landscape.
Legacy and Impact
Emilio Fede’s legacy in Italian journalism is undeniable. Over the course of his career, he has been both celebrated and vilified, but he has always remained true to his beliefs and principles. His contributions to television journalism, particularly in the realm of live reporting and investigative journalism, have left a lasting impact on the industry.
Fede’s career is a testament to the power of determination and resilience. Despite facing numerous challenges, both personal and professional, he has managed to maintain a prominent position in the Italian media landscape for more than half a century.
In conclusion, Emilio Fede’s life and career are a reflection of the complex and often contentious world of journalism. From his early days as a reporter in Rome to his role as a television icon, Fede has navigated the highs and lows of the industry with unwavering determination. As he continues to be a figure of interest in Italy, his story serves as a reminder of the enduring power of the media and the individuals who shape it.
